Green Room Review

<p>The &&num;8220&semi;siege&&num;8221&semi; movie has existed for a long&comma; extended period of time&period; Modelled after the Howard Hawks&&num;8217&semi; western <em>Rio Bravo<&sol;em> and&comma; more so&comma; John Carpenter&&num;8217&semi;s sophomore feature <em>Assault on Precinct 13<&sol;em>&comma; <em>Green Room<&sol;em> is what you would have if you converted the punk genre from music to film&period; What will be a pleasure for genre fans and gore hounds&comma; will please fans of general &&num;8220&semi;good&&num;8221&semi; movies as well&period; While director <a href&equals;"http&colon;&sol;&sol;www&period;imdb&period;com&sol;name&sol;nm1099918&sol;">Jeremy Saulnier<&sol;a>&&num;8216&semi;s follow-up to the critically acclaimed <em>Blue Ruin<&sol;em> may turn some people off due to the graphic nature of the film&comma; the writer&sol;director explores the fear of real people in a lose&sol;lose situation&period; These people have made their way in&semi; there&&num;8217&semi;s no way all of them will make it out&period;<&sol;p>&NewLine;<p><em>Green Room<&sol;em> revolves around The Ain&&num;8217&semi;t Rights&comma; a struggling punk band living from show to show&period; Siphoning gasoline from cars when they can&&num;8217&semi;t afford any&comma; the group is desperate for a good show that pays over &dollar;50&period; After a show cancellation&comma; one of the band members cousin&&num;8217&semi;s tells them of an opportunity to make some money at a sketchy venue in the woods of the Pacific Northwest&period; At the venue&comma; the band realizes they will be playing for a Neo-Nazi gang headed by Darcy Banker &lpar;<a href&equals;"http&colon;&sol;&sol;www&period;imdb&period;com&sol;name&sol;nm0001772&sol;&quest;ref&lowbar;&equals;tt&lowbar;cl&lowbar;t4">Patrick Stewart<&sol;a>&comma; at his scariest&rpar;&period; After playing a set including a cover of Dead Kennedys&&num;8217&semi; Nazi Punks Fuck Off&comma; the bassist Pat &lpar;<a href&equals;"http&colon;&sol;&sol;www&period;imdb&period;com&sol;name&sol;nm0947338&sol;&quest;ref&lowbar;&equals;tt&lowbar;cl&lowbar;t3">Anton Yelchin<&sol;a>&rpar; goes back to the green room for his cell phone before coming across the dead body of one of the nazi&&num;8217&semi;s girlfriends&period; Pat and the rest of the band &lpar;<a href&equals;"http&colon;&sol;&sol;www&period;imdb&period;com&sol;name&sol;nm0790057&sol;&quest;ref&lowbar;&equals;tt&lowbar;cl&lowbar;t1">Alia Shawkat<&sol;a>&comma; <a href&equals;"http&colon;&sol;&sol;www&period;imdb&period;com&sol;name&sol;nm3771184&sol;&quest;ref&lowbar;&equals;tt&lowbar;cl&lowbar;t5">Joe Cole<&sol;a>&comma; <a href&equals;"http&colon;&sol;&sol;www&period;imdb&period;com&sol;name&sol;nm4360085&sol;&quest;ref&lowbar;&equals;tt&lowbar;cl&lowbar;t7">Callum Turner<&sol;a>&rpar; are locked in the green room with Amber&comma; &lpar;a badass <a href&equals;"http&colon;&sol;&sol;www&period;imdb&period;com&sol;name&sol;nm1782299&sol;&quest;ref&lowbar;&equals;tt&lowbar;cl&lowbar;t2">Imogen Poots<&sol;a>&rpar; a friend of the victims&comma; and Nazi bouncer Big Justin &lpar;<a href&equals;"http&colon;&sol;&sol;www&period;imdb&period;com&sol;name&sol;nm1468061&sol;&quest;ref&lowbar;&equals;tt&lowbar;cl&lowbar;t8">Eric Edelstein<&sol;a>&rpar;&comma; until things are cleaned up accordingly&period;<&sol;p>&NewLine;<figure id&equals;"attachment&lowbar;104682" aria-describedby&equals;"caption-attachment-104682" style&equals;"width&colon; 1024px" class&equals;"wp-caption aligncenter"><img class&equals;"wp-image-104682 size-large" src&equals;"https&colon;&sol;&sol;bagogames&period;com&sol;wp-content&sol;uploads&sol;2016&sol;04&sol;MV5BMTAzMzc3MDc5NTNeQTJeQWpwZ15BbWU4MDczNDU1NzYx&period;&lowbar;V1&lowbar;&lowbar;SX1857&lowbar;SY859&lowbar;-1024x683&period;jpg" alt&equals;"&lpar;Green Room&comma; A24&rpar;" width&equals;"1024" height&equals;"683" &sol;><figcaption id&equals;"caption-attachment-104682" class&equals;"wp-caption-text">&lpar;Green Room&comma; A24&rpar;<&sol;figcaption><&sol;figure>&NewLine;<p><em>Blue Ruin<&sol;em> was a competently made film that closely resembled the ultra-violence and wit that is abundant in the Coen Brothers films&comma; but that made it feel borrowed and uninteresting&period; The strengths of that film lied in the reality of the world that the characters inhabited and the believability of their motivations and actions&period; This carries over into the film&comma; but adds even more sympathy to the band &&num;8211&semi; some of the Nazis&comma; as well&period; While the script may not be super innovative&comma; all character motivations make sense and the direction helps you feel for every character that you&&num;8217&semi;re meant to and it will leave you on the edge of your seat&period; Edge of your seat is the obvious thing to say when you talk about a great thriller&comma; but nothing has left me as nervous as this film in the past few years&period;<&sol;p>&NewLine;<p>Using a spare script&comma; the events of the film satisfyingly reveal themselves and why the dead body happens to be in the room is explained well without just being a McGuffin&period; And that satisfying feeling extends to the cast as well&period; Each character within that room is legitimately frightened and scared as to what will happen to them&period; Yelchin uses his vulnerability quite well in this role&period; Unsure of himself&comma; yet arrogant&comma; Yelchin is able to insult a dozen men stronger than him outside the door&comma; but cowers in fear at the actual sight of one of them&period; Shawkat&comma; Cole&comma; and Turner hold their own and don&&num;8217&semi;t take you out of the situation with their acting&period; Each one scared&comma; yet determined to get out alive&period; Poots is the real MVP of the film as a friend of the murder victim&period; Trapped in the same room as the band&comma; Amber feels the pain of her friend&&num;8217&semi;s death&comma; but is more than ready to take out as many of the skinheads as she can&period; Without feeling like a clichéd badass girl in a movie&comma; she&&num;8217&semi;s given something to work with&period; Poots is able to pull off one sarcastic quip after the other and perfectly portrays the necessity of the character&&num;8217&semi;s situation&period;<&sol;p>&NewLine;<p>But let&&num;8217&semi;s not forget the brilliance in the casting of Patrick Stewart&period; While his role is relatively small&comma; &lpar;he is in it for around 10 minutes of the 95 minute runtime&rpar; any time he is on screen&comma; there is an uneasy feeling that anything can happen&period; He&&num;8217&semi;s not one to get into the nastiness of the situation himself&comma; but he isn&&num;8217&semi;t afraid to sick his skinhead brethren on them&period; In dark jackets and combat boots&comma; his murderous skinheads are intimidating&comma; to say the least&period; The skinheads aren&&num;8217&semi;t treated as an unstoppable force&comma; but as people that may have experienced something in their past that informs their behavior&period; <em>Blue Ruin<&sol;em> star&comma; <a href&equals;"http&colon;&sol;&sol;www&period;imdb&period;com&sol;name&sol;nm0086301&sol;&quest;ref&lowbar;&equals;tt&lowbar;cl&lowbar;t10">Macon Blair<&sol;a>&comma; shows up as one of the skinheads looking to earn his &&num;8220&semi;red laces&&num;8221&semi;&comma; a sign of honor and loyalty among the Nazis&period; <a href&equals;"http&colon;&sol;&sol;www&period;imdb&period;com&sol;name&sol;nm0916406&sol;&quest;ref&lowbar;&equals;tt&lowbar;cl&lowbar;t6">Mark Webber<&sol;a> even has a small role as a skinhead torn in the middle of the grotesque situation&period; Their subplots wrap humanity around the villain&&num;8217&semi;s point of view and lets us empathize &&num;8211&semi; as much as we can with murderous skinheads&comma; anyway&period;<&sol;p>&NewLine;<figure id&equals;"attachment&lowbar;104681" aria-describedby&equals;"caption-attachment-104681" style&equals;"width&colon; 1288px" class&equals;"wp-caption aligncenter"><img class&equals;"wp-image-104681 size-full" src&equals;"https&colon;&sol;&sol;bagogames&period;com&sol;wp-content&sol;uploads&sol;2016&sol;04&sol;MV5BMTUyNjU0NTYxOF5BMl5BanBnXkFtZTgwNzgxMzMyODE&commat;&period;&lowbar;V1&lowbar;&lowbar;SX1857&lowbar;SY859&lowbar;&period;jpg" alt&equals;"&lpar;Green Room&comma; A24&rpar;" width&equals;"1288" height&equals;"859" &sol;><figcaption id&equals;"caption-attachment-104681" class&equals;"wp-caption-text">&lpar;Green Room&comma; A24&rpar;<&sol;figcaption><&sol;figure>&NewLine;<p>Action is incredibly integral to the thrills of this movie connecting with the audience&period; Violence is used well and truly shows the consequences of any character&&num;8217&semi;s missteps&period; There isn&&num;8217&semi;t a punch pulled here and <em>Green Room<&sol;em> can feel incredibly grim because of it&period; While it features quips abound for Poots&&num;8217&semi; character&comma; it has a deep sense of dread about what is around every corner and what is going to come next&period; It wouldn&&num;8217&semi;t be difficult to describe this as a horror film&comma; but Saulnier manages to have us cheering for our protagonists one minute&comma; then gasping out loud at the next gruesome act that comes on screen&period; As various characters that we accompany in the beginning of the film are murdered&comma; we feel for those people cause we were afraid with them&period; And every time we laugh at the insanity and brutality of the violence you almost feel bad&comma; because you&&num;8217&semi;re laughing at the brutal things that are happening to them&period; And while the ending may feel anti-climactic to some&comma; it effectively portrays the situation as realistic and emotional&comma; like it did in the first 80 minutes&period;<&sol;p>&NewLine;<p>Jeremy Saulnier&&num;8217&semi;s <em>Green Room<&sol;em> goes above and beyond what he did with <em>Blue Ruin<&sol;em>&period; This is essential viewing for fans of the horror&sol;thriller genre&comma; and it goes even further than what we expect from the genre&period; What could be seen as a tragedy &lpar;without feeling precious about itself&rpar;&comma; the film captures the threat of death as faster than we ever expect it&period; Characters meet grisly ends&comma; there is no love interest&comma; and there&&num;8217&semi;s no hope that all of them will ever make it out alive&period; And in this case&comma; that&&num;8217&semi;s definitely for the best&period;<&sol;p>&NewLine;

Exit mobile version