Halloween Kills Review – A Lesser Sequel

The return to Halloween finds little to explore

<p>David Gordon Green&&num;8217&semi;s <em>Halloween<&sol;em> from 2018 felt like a refreshing change of pace for the slasher franchise&period; Far from the absurd sequels and gritty reboots&comma; this take on Michael Meyers felt fresh&period; This mostly had to do with portraying the final girl of Laurie Strode with a sense of trauma and addiction&period;<&sol;p>&NewLine;<p>Now comes Halloween Kills&comma; the sequel to the 2018 film&period; What more is there to explore with Michael Meyers besides more kills&quest; As it turns out&comma; not a whole lot worth it for a sequel&period;<&sol;p>&NewLine;<figure id&equals;"attachment&lowbar;174264" aria-describedby&equals;"caption-attachment-174264" style&equals;"width&colon; 2148px" class&equals;"wp-caption alignnone"><img class&equals;"size-full wp-image-174264" src&equals;"https&colon;&sol;&sol;cdn&period;bagogames&period;com&sol;wp-content&sol;uploads&sol;2021&sol;10&sol;28143043&sol;Halloween&lowbar;Kills&lowbar;Michael&lowbar;Myers&period;jpg" alt&equals;"Michael Meyers in Halloween Kills" width&equals;"2148" height&equals;"1364" &sol;><figcaption id&equals;"caption-attachment-174264" class&equals;"wp-caption-text">Michael Meyers in Halloween Kills<&sol;figcaption><&sol;figure>&NewLine;<h2 style&equals;"text-align&colon; center">The Night Isn&&num;8217&semi;t Over<&sol;h2>&NewLine;<p>The film takes place mere minutes after the previous film&period; When we last saw Michael Meyers&comma; he was trapped in Laurie&&num;8217&semi;s burning home&period; The nightmare seemed to be over&period;<&sol;p>&NewLine;<p>Then the fire department came&period; As they try to put out the fire&comma; they inadvertently free Meyers from his flaming tomb&period; Having escaped&comma; he goes back to his carnage of a bloody killing spree&period;<&sol;p>&NewLine;<p>By this time&comma; Laurie &lpar;<a href&equals;"https&colon;&sol;&sol;www&period;imdb&period;com&sol;name&sol;nm0000130&sol;">Jamie Lee Curtis<&sol;a>&rpar; is too injured to continue the fight&period; Stepping up to the plate is a band of survivors in the town&period; Many of them have had encounters with Meyers and aim to make this Halloween his last&period;<&sol;p>&NewLine;<h2 style&equals;"text-align&colon; center">A Night of Violence<&sol;h2>&NewLine;<p>The best thing that can be said of this film is the kills&period; Michael hasn&&num;8217&semi;t lost his touch for a truly cruel and vicious murder&period; Whether it&&num;8217&semi;s stabbing chests with knives or forcing thumbs into eyeballs&comma; he&&num;8217&semi;s still a crafty killer&period;<&sol;p>&NewLine;<p>His kills are far more frequent in this picture that they quickly become absurd&period; This silliness mostly comes about anytime someone uses a gun&period; Bullets will either miss Meyers or pierce a victim instead&period;<&sol;p>&NewLine;<p>The violence becomes so over-the-top brutal that you can&&num;8217&semi;t help but laugh&period; When characters are stabbed in the face or punctured with fluorescent light bulbs&comma; how could you not&quest; On that level&comma; this is a competent slasher&period;<&sol;p>&NewLine;<figure id&equals;"attachment&lowbar;174266" aria-describedby&equals;"caption-attachment-174266" style&equals;"width&colon; 1000px" class&equals;"wp-caption aligncenter"><img class&equals;"size-full wp-image-174266" src&equals;"https&colon;&sol;&sol;cdn&period;bagogames&period;com&sol;wp-content&sol;uploads&sol;2021&sol;10&sol;28143136&sol;Halloween-Kills&period;jpg" alt&equals;"" width&equals;"1000" height&equals;"563" &sol;><figcaption id&equals;"caption-attachment-174266" class&equals;"wp-caption-text">HALLOWEEN KILLS&comma; from left&colon; Judy Greer&comma; Jamie Lee Curtis&comma; Andi Matichak&period;<&sol;figcaption><&sol;figure>&NewLine;<h2 style&equals;"text-align&colon; center">Who Is The Real Monster&quest;<&sol;h2>&NewLine;<p>What doesn&&num;8217&semi;t work in Halloween Kills is when it tries to subvert its own tropes&period; A mob forms with the intent to hunt down and kill Michael Meyers&period; As they search&comma; however&comma; their fear and hatred turn them into a mob who will make fatal mistakes&period;<&sol;p>&NewLine;<p>There&&num;8217&semi;s a deeply frightening and tragic scene where an escaped mental patient is mistaken for Michael Meyers&period; The mob&comma; aiming to end Michael&&num;8217&semi;s hold on their community&comma; wants him to die&period; Terrified&comma; the patient kills himself when realizing he will receive no help&period;<&sol;p>&NewLine;<p>The problem is that this picture wants to have it both ways&period; It wants the mob to admit to themselves that they&&num;8217&semi;ve gone too far and let their fears make them killers as well&period; This idea is later forgotten once the mob corners Meyers and proceeds to carry out their violent revenge&period;<&sol;p>&NewLine;<h2 style&equals;"text-align&colon; center">A Jarring Tone<&sol;h2>&NewLine;<p>This is a movie that wants to be a lot of things and just can&&num;8217&semi;t quite master it&period; It wants to be a contemplation on how horrors of the past still haunt survivors and compel them to lash out at others&period; It also wants to be a silly slasher picture at times&period;<&sol;p>&NewLine;<p>Consider how the film doubles up on the comedic stops for Michael&period; His first house call is a middle-aged couple who seem semi-aware of slasher logic&period; They get in some funny lines before they are both murdered horribly&period;<&sol;p>&NewLine;<p>But then we get another comical couple with Big John and Little John&period; The gay couple is meant for dry laughs but they also occupy Michael&&num;8217&semi;s childhood home as a pivotal stop on his rampage&period; It&&num;8217&semi;s hard to be as engaged when the scenes at the house fluctuate between comedy and terror&comma; rarely feeling as though there&&num;8217&semi;s a balance of both&period;<&sol;p>&NewLine;<p><img class&equals;"size-full wp-image-174263 aligncenter" src&equals;"https&colon;&sol;&sol;cdn&period;bagogames&period;com&sol;wp-content&sol;uploads&sol;2021&sol;10&sol;28143020&sol;1353335&lowbar;halloweenkills&lowbar;189035&period;jpg" alt&equals;"" width&equals;"1024" height&equals;"536" &sol;><&sol;p>&NewLine;<h2 style&equals;"text-align&colon; center">The Cycle Never Stops<&sol;h2>&NewLine;<p>It couldn&&num;8217&semi;t be more obvious that Halloween Kills is meant to be a bridge film&period; This mostly had to do with how the film reiterates and elongates its story&period; The director just has to kill some time until Halloween Ends to complete that trilogy&period;<&sol;p>&NewLine;<p>The problem is that the film finds itself stuck in a loop&period; Laurie spends the entire film stuck in a hospital bed&period; She tries to get out and finish the job but doesn&&num;8217&semi;t get that chance&period; She&&num;8217&semi;s reduced to sitting there as the wise woman who keeps repeating that Michael is pure evil and only she can stop him&period;<&sol;p>&NewLine;<figure id&equals;"attachment&lowbar;174262" aria-describedby&equals;"caption-attachment-174262" style&equals;"width&colon; 1895px" class&equals;"wp-caption aligncenter"><img class&equals;"size-full wp-image-174262" src&equals;"https&colon;&sol;&sol;cdn&period;bagogames&period;com&sol;wp-content&sol;uploads&sol;2021&sol;10&sol;28142956&sol;halloween-kills-1&period;jpg" alt&equals;"Michael Meyers in Halloween Kills" width&equals;"1895" height&equals;"992" &sol;><figcaption id&equals;"caption-attachment-174262" class&equals;"wp-caption-text">Michael Meyers in Halloween Kills<&sol;figcaption><&sol;figure>&NewLine;<h2 style&equals;"text-align&colon; center">Conclusion&colon; <em>Halloween Kills<&sol;em><&sol;h2>&NewLine;<p><em>Halloween Kills<&sol;em> feels as though it&&num;8217&semi;s trying to be both a campy slasher and postmodern slasher&period; Sadly&comma; it can only perform the easy part of camp&period; Postmodernism just doesn&&num;8217&semi;t seem built for a picture that wants to condemn horror tropes of the mentally ill but still play them up as well&period;<&sol;p>&NewLine;<p>If anything&comma; <em>Halloween Kills<&sol;em> is a sad reminder of how little progress the slasher film has made&period; Various horror pictures have had much better success at tapping the genre for better uses of mental disorders besides being the component of a killer&period; <em>Halloween<&sol;em>&comma; however&comma; seems as though it&&num;8217&semi;s stuck in the paddling pool of this cultural shift&comma; still working out the kinks of its archaic slasher formula&period;<&sol;p>&NewLine;<p><em><strong>Have you seen <&sol;strong><&sol;em><strong>Halloween Kills<&sol;strong><em><strong>&quest; Did you watch in the theaters or on the Peacock streaming service&quest; How does it compare to other horror films&quest; Is it better than <&sol;strong><&sol;em><a href&equals;"https&colon;&sol;&sol;bagogames&period;com&sol;demonic-review-neat-tech-on-tired-horror&sol;"><strong>Demonic<&sol;strong><&sol;a><em><strong>&quest; Let us know in the comments below&period;<&sol;strong><&sol;em><&sol;p>&NewLine;<div class&equals;"jeg&lowbar;review&lowbar;wrap">&NewLine; <h3 class&equals;"jeg&lowbar;review&lowbar;subtitle">The Review<&sol;h3>&NewLine; <h2 class&equals;"jeg&lowbar;review&lowbar;title">&NewLine; Halloween Kills&NewLine; <&sol;h2>&NewLine; <div class&equals;"jeg&lowbar;reviewheader clearfix">&NewLine; <div class&equals;"review&lowbar;score score&lowbar;bad">&NewLine; <span class&equals;"score&lowbar;value">3<&sol;span>&NewLine; <span class&equals;"score&lowbar;text">Score<&sol;span>&NewLine; <&sol;div>&NewLine; <div class&equals;"desc" style&equals;''>&NewLine; <p>A lackluster continuation of Halloween that finds little more to explore and often contradicts itself&period;<&sol;p>&NewLine; <&sol;div>&NewLine; <&sol;div>&NewLine; <div class&equals;"jeg&lowbar;reviewdetail clearfix">&NewLine; <div class&equals;"conspros">&NewLine; <h3>PROS<&sol;h3>&NewLine; <ul><li><i class&equals;"jegicon-check"><&sol;i> Vicious and brutal kills&period;<&sol;li><li><i class&equals;"jegicon-check"><&sol;i> Some interesting contemplation on slasher tropes&period;<&sol;li><li><i class&equals;"jegicon-check"><&sol;i> Some tongue-in-cheek moments&period;<&sol;li><&sol;ul>&NewLine; <&sol;div>&NewLine; <div class&equals;"conspros">&NewLine; <h3>CONS<&sol;h3>&NewLine; <ul><li><i class&equals;"jegicon-cross"><&sol;i> Contradictory message&period;<&sol;li><li><i class&equals;"jegicon-cross"><&sol;i> Jarring tone&period;<&sol;li><li><i class&equals;"jegicon-cross"><&sol;i> Too many characters with little exploration&period;<&sol;li><&sol;ul>&NewLine; <&sol;div>&NewLine; <&sol;div>&NewLine; <div class&equals;"jeg&lowbar;reviewscore jeg&lowbar;reviewbars clearfix" data-scoretype&equals;"point">&NewLine; <h3>Review Breakdown<&sol;h3>&NewLine; <ul><li>&NewLine; <strong>Final Score<&sol;strong>&NewLine; <span class&equals;"reviewscore">3<&sol;span>&NewLine; <div class&equals;"jeg&lowbar;reviewbar&lowbar;wrap">&NewLine; <span style&equals;"width&colon; 30&percnt;" class&equals;"barbg"><&sol;span>&NewLine; <&sol;div>&NewLine; <&sol;li><&sol;ul>&NewLine; <&sol;div>&NewLine; &NewLine; <&sol;div>

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