On the Edge of Emotions – No Escape Film Review

An awful August of movies is finally behind us and the summer season resembles a camp fire the morning after. Just squeezing through the door before August’s movie lineup shuts up shop is Owen Wilson’s No Escape.

No Escape is a very enjoyable tense action thriller, that is as unrelenting as it is unflinching. The movie sees Wilson break new ground in the action-thriller genre. With the sole exception of 2001’s action/war drama, Behind Enemy Lines, serious action or drama movies have not been the forte of the 47-year-old with the famous Southern drawl. Action movies of his have been classed as comedies like 2000’s Shanghai Noon, Shanghai Knights, and Starsky & Hutch.

This time he plays it straight but his sheer number of comedic roles has left his talent for straight drama a little wanting as he gives a relatively impassive performance. Although conveying a suitable level of, “Oh my god what is happening to me and my family,” in the most extreme moments of pressure and distress he just wasn’t able to give the performance that was called for with this character. In all honesty, he is upstaged by Lake Bell who plays his on-screen wife Annie. She steals the show and gives a very convincing but natural performance of a mom and wife who has literally been thrown into the jaws of hell as she desperately tries to help protect her precious daughters. 

Despite Wilson’s relatively wooden performance, they were plausible as a family unit, this was largely due to Bell’s effort, which I have previously touched on. As a result I really felt for them and their utterly nightmarish existence. Going one step further, as a father of children roughly the same age as the girls in the movie it brought it home to me how completely horrific something like this would affect young children.

No Escape also wastes no time with a 105 minute runtime of unnecessarily introducing a backstory to this family. It’s very simple, they arrive to start a new life in a new country and within 24 hours they’re in hell. No backstory needed. Also touching on backstory, the villain in this movie is very effective. He says virtually nothing, and what he does say is not in English. However he is very predatory and unforgiving in his pursuit of his prey.

From a visual standpoint the movie is well shot with a good mix of tighter “chase” camera angles as you would expect in this type of movie but also wider shots, the score is neither here nor there. I walked out not even being able to remember the music.

Issues with the movie other than Wilson’s performance and the under utilization of Brosnan, would be the link between the villain’s main motive and family (No spoilers!) and finally there are a few times where the Dwyer’s family’s chances of escaping where a little too far flung (and if you’ve seen the movie, then you know what I’m referencing).